When it comes to Cornelia Funke, I have no critical faculties.  I can’t lie; I love what she does.  I love her picture books, I love her middle-grade novels, and I love her young adult novels.  I marvel at how she writes in German and then really smart, clever people come along and translate her words, and then she reads the translations, which just boggles my mind.  I adore how she allows her novels to unfold, sometimes even somewhat slowly, which is the antithesis of so much of what I read in contemporary children’s fiction.  Cornelia will make you wait, but she will make the wait worthwhile.

Our dear Melissa very bravely stormed the crowds at BEA and snagged me a gorgeous hardcover ARC of RECKLESS, which is Cornelia’s first novel published by Little, Brown.  Although I was dying to read it, I chose to wait until a week arrived where I had ample time to not just read it, but to savor it.  Remember Charlie Bucket and the Wonka Bar he got for his birthday, and how he made it last for weeks?  Well, I’m not as patient as Charlie, but I swear I made myself dole out the last hundred pages of RECKLESS over several days, which took great self-control on my part.  Why did I love it so much?  What is RECKLESS all about?  Read on, but I may drop a spoiler or four along the way, so consider yourself warned.

The setting:  modern-day-ish Europe.  Doesn’t really matter where.  We meet Jacob, a young boy exploring his father’s study.  Everything is covered with dust; his father is long gone.  (’Gone’ is the operative word here, as his father is missing, not dead.)  Jacob examines a curious mirror in the study, and through the mirror, he discovers another world on the opposite side.  Funke fans may feel echoes here of the INKHEART books, where the world beyond ours seems all the more real, but just as the Inkworld was a dangerous place, the Mirrorworld holds its own temptations as well as nightmares.  We flash forward to years later; Jacob is now a very experienced treasure-hunter in the Mirrorworld (and has the scars to prove it), and his younger brother, Will, seeks to leave the real world to follow Jacob in the fairy-tale-esque land beyond the mirror.  Their time together takes a disastrous turn, however, when Will is attacked by a Goyl, a humanoid race made of stone.  The vicious blow starts a chain reaction in Will’s body; he is slowly turning to stone.  Jacob, who has always felt responsible for his younger brother, seeks to find a cure, but in the Mirrorworld, nothing comes easily, and everything has a price.

Jacob is immediately likable; he, like his last name suggests, is reckless, and has a bit of an Indiana Jones/Han Solo thing going on.  He’s smart, charming, worldly-wise, and yet he’s tormented by a childhood without a father, and runs away from conflict.  Will, on the other hand, stayed in the real world with their mother until her death, and he blames Jacob for leaving them for months at a time with barely a word.  Will also is in love with a young woman named Clara, who is swept along by the Reckless brothers into the Mirrorworld, and she displays a remarkable amount of courage on the journey.  What’s interesting is that Jacob and Will aren’t really even teenagers anymore; they’re actually young men, and I was really impressed with Cornelia’s choice to make her characters a little older than one usually finds in a young adult novel.  Their ages suited the dark, strange Mirrorworld, and gave me confidence as the novel went along that Jacob especially had the chops to handle the hurdles he faces.

I will say I’m not quite sure what age RECKLESS is for.  I believe it’s YA at its heart, but that said, I know well-read twelve-year-olds who would read it and love it, and I think I could easily give it to twenty-or-thirty-something friends too.  It’s grim at times, and did feature a minor villain with knives for hands that scared the crap out of me.  RECKLESS takes its fairy tale inspirations very seriously; there are indeed witches who eat children, there are spells that will turn you into a tree for hundreds of years, and the unicorns will gore you if you get too close.  Beyond that, there’s an entire political struggle (i.e. war) going on between the humans of the Mirrorworld and the Goyl, which culminates in a climactic battle scene for the throne, and even Jacob’s connection to a powerful Fairy may not be enough to save his brother.  Will’s situation, that of slowly turning into a Goyl, is painful to watch, as he slowly loses his memories of those he loves, as his heart is gradually turning to stone (jade, in his case).  I was entirely invested in Jacob’s journey, and Funke’s gift for writing supporting cast (particularly Fox, who really intrigued me with her motivations) really shone in RECKLESS.

Here’s my bottom line:  nobody writes like Cornelia Funke, as far as I’m concerned.  I love her voice because it doesn’t sound like anyone else.  She has a remarkable gift for description, and I love how she uses iconic imagery to give insight into her characters (the black moths for the Dark Fairy, the Bluejay for Meggie’s father, etc).  I love how she makes me fall head over heels with her stories every time, and even though I never know what she’s going to do, I trust her implicitly.  I have been assured by our Little, Brown rep that a sequel is indeed in the works, and for that I’m very grateful, because I’m not ready to let go of the Reckless brothers anytime soon.

Note from Melissa: I was hoping Sarah would review this, because I consider her a Cornelia Funke expert in addition to being a super fangirl. I didn’t love the INKHEART series, but I love her picture books and THE THIEF LORD and I really, really loved RECKLESS a lot. As an indie bookseller I am very concerned about the price point – it’s $19.99, and I can’t afford to discount it 33% like the online retailer who would like to put everyone out of business can. $19.99 is a lot to ask a parent to shell out for a novel their kid will likely read in one day (the kind of kid who will read this is the kind of kid who plows through books like a freight train, no matter their length or complexity). Kids’ books seem to be increasingly creeping toward this price, and I think it’s a big mistake. I also didn’t understand Little, Brown’s decision to make this ARC a limited edition bound hardcover. Every single shop was going to carry this book anyway, and it was already going to be a bestseller. It’s Cornelia Funke. I wish if they were going to spend this kind of money they’d spend it on debut authors who get overlooked.

Despite all of this, when I opened the box of ARCs from my Little, Brown sales rep, I was compelled to crack open JANE first. JANE – a modern retelling of JANE EYRE, one of my favorite books of all time. I have no idea where this compulsion came from. Perhaps I wanted to get what I thought might be a book that would tick me off out of the way? Perhaps I wanted to read through it, nodding to myself about how right I was that no one should ever mess around with anything I love? Whatever my motivation, I picked it up earlier today and read through it in a couple of hours.

And, surprisingly, I really, really liked it. A whole lot.

Lindner repackages Jane as Jane Moore, a 19 year old college student forced to drop out of Sarah Lawrence after the death of her emotionally distant parents. Jane’s only real job experience has been babysitting, so she applies for jobs through a nanny agency. She accepts a job as a nanny at Thornfield Park, the palatial home of rock star Nico Rathburn. Recasting Rochester as a rock star works surprisingly well, as it gives built-in charisma to the hero and provides a credible basis for Jane’s attraction to him. The story tracks the plot of JANE EYRE pretty closely from there, with Lindner managing to give her characters enough of their own stories and personalities to keep the book from feeling anything even close to a tired retread of a classic. There are times during the book where minor plot points seem a little contrived in order to stick to the basic original story, but nothing large enough to overshadow my overall enjoyment of the book. I have read JANE EYRE upwards of fifty times in my life, and I hope that two things will happen with JANE: other fans like me will enjoy it, and people who have never read the original will after they finish this.

This is Lindner’s debut novel, and rumor has it that her next will be a retelling of WUTHERING HEIGHTS. I’m fond of that story as well, but Lindner’s writing is good enough that I’m looking forward to the day when she’s fully telling her own tale. Until that time, I can wholeheartedly recommend JANE – with a warning for those who have kids or students who are reading up: Jane and Nico are adults and their relationship does take a sexual turn. It’s not particularly graphic, but it’s impossible to mistake it for anything else. There’s also a little profanity, but it’s not overused.

A not so side note: the cover picture in the Little, Brown catalog says “not final,” which I think is really, really good news. I hope the cover is changed completely. Right now it shows a girl in a short jacket and a long skirt standing in a misty field and the title is in tall pink letters. It’s boring, boring, boring. This is a retelling of JANE EYRE set at least partially in a rock and roll world, and the cover looks like…JANE EYRE. There is nothing about this cover that’s going to make someone want to pick it up. There’s nothing about this cover that says “Jane Eyre in love with a rock star.” This cover says “generic girl-centric fiction, possibly set on the prairie.” Little, Brown: please, please change this cover; this book deserves better.

These reviews are also going to be pretty short.

There will also be hardly any nonfiction, because I sell very few nonfiction picture books in the shop, so I haven’t had the same experience with those as I have with the fiction this year.

1. OTIS by Loren Long

2. THE SLEEPY LITTLE ALPHABET by Judy Sierra; illustrations by Melissa Sweet

3. THE CIRCUS SHIP by Chris Van Dusen

4. ARE YOU A HORSE? by Andy Rash
This book has one joke, but it’s a good one (which I will not reveal, because it’s on the last page). Roy is given a saddle for his birthday, and he has never seen one before (which is a little odd considering he’s basically dressed like a cowboy). Fortunately said saddle comes with instructions: 1. Find a horse. 2. Enjoy the ride. So Roy goes off looking for a horse, working his way through many different living creatures in the process (and learning something from each one). I LOVE Rash’s art, too. This one’s a favorite in my house as well as in the shop.

5. THE LION AND THE MOUSE by Jerry Pinkney
I am assuming that you have all seen this magnificent, beautiful achievement by one of the finest children’s book illustrators to ever walk the earth. If this doesn’t (finally, belatedly) earn him the Caldecott Medal he has long deserved, I suspect I will not be the only unhappy reviewer/reader/blogger/bookseller out there.

6. THE CURIOUS GARDEN by Peter Brown
A quietly lovely book about a little boy who discovers a small patch of green on top of the railroad tracks in the dingy, brown place where he lives. He begins to tend to the green, eventually growing a garden, which inspires others to grow their own. Slowly, across the city, the gardens spread. With its basic message of “act locally,” this book is very close to my heart.

7. ALL THE WORLD by Liz Garton Scanlon; illustrations by Marla Frazee
This is such a beautiful book. My 3 year old daughter wasn’t enraptured by it, but I think it works best either with someone younger (who is listening more to the cadence than the story) or someone older (and a little more capable of conscious thought about the world at large). This is the kind of book I often sell to a grandparent – often grandparents come in asking me for “something new and beautiful” that might be saved forever. This is definitely that book. This is also the perfect book to give your picture book-loving adult friend or relative.

8. 14 COWS FOR AMERICA by Carmen Agra Deedy; illustrations by Thomas Gonzalez
This book is based on the true story of a Masaai man named Kimeli who returned to his Kenyan village after 9/11, bringing with him the story of what happened that day. The villagers are so moved by the story and wonder what they can do for the people of the US. Kimeli offers his prize cow – a generous, symbolic gift as to the Masaai, the “cow is life.” In the end, fourteen cows are given as a gift. This is one of those stories that we don’t often hear about, making it the perfect story to be turned into a picture book. “No nation is so powerful it cannot be wounded, nor a people so small they cannot offer mighty comfort.”

9. THE CHRISTMAS MAGIC by Lauren Thompson; illustrations by Jon Muth
Jon Muth’s illustrations alone are enough to get just about any book into one of my “best of” lists. When you pair them with Lauren Thompson’s delicate story, this book becomes my favorite “pretty” Christmas book of the last…well, several years, at least. Santa Claus (dressed all in midnight blue in a lovely variation on what has become tradition) is preparing for the arrival of the Christmas magic, and the book takes you step by step with him through everything that leads up to Christmas Eve. He selects a toy for each child, because he knows what each wants most, and loves them all (there’s no “good list” and “bad list” here). He grooms the reindeer, and polishes the sled, and carefully, quietly, lovingly welcomes in the magic of the season as he always has and always will. This got added to my personal Christmas book collection immediately.

10. PRINCESS BESS GETS DRESSED by Margery Cuyler; illustrations by Heather Maione.
There is always a need for a sparkly pink princess book, but I truly cannot abide selling them if the sparkly pinkness masks a mediocre story. Not the case here – this is delightful, and my customers agreed with me. Princess Bess has a day filled with obligations, and must change her clothes for each one. Finally at the end of the day she is free to retire to her room, where she strips off her finery and dances around the room in her favorite outfit of all – a set of simple cotton underwear. The rhymes are good, the art is good, and the extensive fashion display is sure to please fans of FANCY NANCY as well as little girls who just love dressing up.

11. LLAMA LLAMA MISSES MAMA by Anna Dewdney
I am a big fan of the LLAMA LLAMA books, both as a bookseller and as a mother. This one was especially timely for me as my daughter started preschool this past fall, and that’s what this book is about. We got a lot of mileage out of “Don’t forget when day is through, she will come right back to you!” which is what the teacher tells Little Llama when he gets sad and misses his mama. Also, it’s just fun to say “llama” over and over and over and over again.

12. RHYMING DUST BUNNIES and HERE COMES THE BIG, MEAN DUST BUNNY! by Jan Thomas
I think you either think Jan Thomas’s books are hilarious, or not. There’s no in-between. I am definitely in the former category. (A BIRTHDAY FOR COW is so beloved in our house that every family member can be heard yelling “A TURNIP!!” occasionally.) I LOVE the dust bunnies. In the first book, Ed, Ned and Ted, the dust bunnies, rhyme all the time: “What rhymes with car?” “Far!” “Jar!” “Tar!” “Look!” says their friend Bob. As the others try to educate Bob on proper rhyming technique, it becomes apparent that Bob is trying to deliver a message to the others. Will they listen before it’s too late? The second book has the dust bunnies attempting to placate (and, eventually, befriend) the big, mean dust bunny they’ve encountered.

The illustrations might have you thinking that these books are best for younger toddlers, but the humor’s more sophisticated than that. Molly liked hearing A BIRTHDAY FOR COW when she was 2 1/2, but now that she’s a little past three, she truly finds it funny.

13. FELICITY FLOO VISITS THE ZOO by E.S. Redmond
Redmond tells the tale of little Felicity Floo, who infects an entire zoo full of animals because she uses her hand to wipe her runny nose rather than a tissue, and for some reason (you must suspend your disbelief here), you are allowed to pet every single animal in this zoo. She leaves teeny tiny little green handprints all over the animals, and begins an epidemic so large they name it after her. The whimsical Edward Gorey-esque illustrations fit the story perfectly, and, of course, it sends a very timely message in a brand new way.

14. THE NIGHT BEFORE CHRISTMAS by Clement C. Moore;  illustrations by Rachel Isadora
Isadora pairs her awesome African-inspired art (LOVE Santa’s white dreadlocks) with Moore’s classic poem to create yet another book of hers that had to go on my home shelf immediately. Bonus: as I said to one of my favorite customers (who shares my sarcastic sense of humor): “I didn’t know that people of color celebrate Christmas too!” (This customer is African-American and we often discuss the dearth of books for children that aren’t about slavery or civil rights or athletes or drugs.) Never is the whitewashing of children’s publishing more evident than when the Christmas books start to arrive. I’d like to think that many more will follow this, but history has me rolling my eyes at the very idea.

15. NEVER SMILE AT A MONKEY by Steve Jenkins
This book has the creepiest back cover of any picture book, ever. Jenkins uses his trademark paper collage art to instruct the reader about what not to do should you encounter certain animals. Since he often has more than one book published per year, I feel like Jenkins must have a sort of picture of Dorian Gray, asleep, in his attic – how else could he make so much art out of teeny tiny pieces of paper? I have never been less than impressed with his art, and the information contained within the books is always top-notch as well. This book is no different and will certainly please animal lovers, especially those who have a taste for the slightly scarier side of nature.

16. DINOTRUX by Chris Gall
Honestly, this idea is so obvious that I can’t believe no one ever thought of it before, but that’s also what makes it brilliant. This imagines that before dinosaurs roamed the Earth, there were Dinotrux! The Dumplodocus…the Semisaur…the Blacktopadon. So simple, so clever, so funny. Absolutely fantastic, bold art. Great cover. This was on many, many in-store wish lists this past holiday season, and I love the way little boys’ eyes light up when they see it.  Dads are also usually pretty gleeful when they pick it up, like the little boy inside of them can’t wait to turn the pages. Sometimes a book is pure fun to sell and this book has been one of those for me.

And…that’s it! I am sure I forgot something, and if I remember what it is, I will add it to this post another time. Let me know if I seem to have missed something that you think is amazing!

(I wish this review was better timed, as this book takes place in the summer and was in fact published in May, but I love camp books year-round and I hope some of you do too.)

Ah, camp books. How I love you!

Sam’s best friend Mal is revolting head over disgusting heels in love for the first time. Loathe to spend her summer playing third wheel to Malomark (her name for them – ha!), she applies to be a CIT (that’s counselor-in-training) at Whispering Pines Camp. She promises Mel that she’ll make her tons of their trademark video messages to one another, and soon enough she’s off for her first summer at camp ever.

When she arrives at Whispering Pines she learns a few important things: she’s the only CIT who’s never been a Whispering Pines camper OR a camper at all; there’s a really hot fellow CIT named Hunter, who begins flirting with her almost immediately; her mother and the camp director seem uncomfortably (to Sam) attracted to one another; and for some reason, the camp director’s queen bee CIT daughter, Ashley, seems to develop an instant dislike for her. That could have something to do with the fact that Sam receives the most coveted CIT post: she’ll be spending her summer working with Ashley’s sister, Alexis.

If nothing else, it will certainly make for an interesting summer.

Sam makes fast friends with three fellow CITs who are also on Ashley’s bad side, and those friendships help her forget – at least for brief periods of time – that she’s getting no video messages from Mal. That hottie Hunter seems to be more than a bit of a player. That Ashley seems determined to ruin Sam’s summer and reputation at any cost.

I love Sam. She’s so imperfect. What gives Ashley’s vendetta against her an extra dramatic edge is that Sam is more than a bit of a mess.  She’s too much of a people pleaser. She can be incredibly wishy-washy. She’s completely blind to the player-ness of Hunter (at least for awhile). And, because she’s a camp virgin, she has a whole lot to learn.

I think everyone’s experienced “in the trenches” friendships. Friendships that develop fast and hard because you’re thrown together in some way – in the cast of a play, for example, or on the same dorm floor at college. I think it’s hard to portray those friendships realistically, because sometimes, even in real life, they feel a little unrealistic. They happen so quickly. Sometimes you don’t have that much in common, or maybe you wouldn’t be friends if you met anywhere else. It’s because of the circumstances that you bond, and after that bond forms, it doesn’t much matter how alike you are. You’ve become alike.

Calonita does an excellent job of making Sam’s camp friendships realistic.  Even though I never went to camp, I felt a familiar pang while reading about their conversations and their pranks and their arguments because that’s the kind of relationships I had with my high school theatre friends. I’m guessing some of my pang was that I was dying to go to camp when I was younger, despite the fact that I hate campING, but no one really did that where I grew up.  I think I was mostly dying to jump into a camp book rather than attend actual camp. But part of me will always wonder what would have been if I had been able to go to sleepaway camp, and that part of me will continue to seek out books that take place there. This? Is a good one.

Buy this book from an independent bookstore!

My love for Paul Feig already knew no bounds. I am a huge fan of the late, lamented TV show Freaks and Geeks (seriously huge – I own the $140 super DVD set that came in a replica yearbook with ninety bazillion hours of extras), and I also think his two memoirs of earlier life as a supergeek (Kick Me: Adventures in Adolescence and Superstud)  are hilarious. So when I found out that Paul (I can call you Paul, right?) was writing a kids’ novel I was pretty excited.

And then the galley came and I was even more excited. So excited that I slipped the only copy off the galley shelf at the bookstore where I used to work and moved it with me to St. Louis. I finally unpacked that box last week, and there was Ignatius MacFarland: Frequenaut! staring up at me. Read me, read me, it implored.

And so I did.

Dude.

This is one funny book. This is one thrilling book. This is one fine middle-grade novel. It’s sci-fi! It’s comedy! It’s freaking fantastic.

Ignatius (Iggy) is one of those kids who is destined to be bullied in school, and he is. He has two friends who are equally bully-able, and they are walking targets for the school’s population of buttheads. Iggy has grown weary of it all and continually wishes that an alien might spot him one day and whisk him off to another planet. When this doesn’t happen, he decides that maybe he could build a rocket and blast himself into space, where of course an alien civilization will take him in and change his life.

So the kids build this hilariously incompetent rocket out of a garbage can and license plates and a lot of other crap, and then one of them swipes his brother’s illegal fireworks stash and they clean the gunpowder out of the fireworks and fill a coffee can with it (Uh…guys? Bad idea, okay?). They light the can on fire, and Iggy decides at the last minute that maybe this is a bad idea, but his backpack gets stuck on something and he can’t get out of the garbage can rocket and then…BOOM.

When he comes to, he seems to be in the middle of the same field. Except the only thing that’s the same is the basic terrain. What he doesn’t yet know is that the explosion shifted him into another Frequency – like an alternate universe. He’s technically in the same place, just slightly sideways. He meets a 16 year old girl named Karen who had a chemistry lab accident a year ago, which is how she ended up in this other Frequency, which is otherwise populated by a variety of bizarre alien creatures.

Even more bizarre: five years back, a teacher at the high school in Iggy’s neighborhood was supposedly killed when his house exploded. The teacher’s in this Frequency, too, except he’s reinvented himself as the President of the aliens and taken over the world. Karen is trying to stop him, and she wants Iggy to help her. Iggy just wants to get back to his own Frequency. However, it seems that once you become a Frequenaut, getting out of your current Frequency isn’t as easy as it seems – especially not when your only friend is a one-woman revolutionary band and is being hunted by the President’s army.

The plot is like nothing I’ve ever read before, and the book is what we’d been wishing for at the bookstore for years – not just sci-fi, but funny sci-fi. This is going to be a great book for kids who like stuff like The Mysterious Benedict Society – smart kids who like their adventure mixed up with a little comedy and a whole lot of brain activity. I love this book and I hope Paul Feig comes to St. Louis so I can tell him how much I love it in person.

Publisher: Little, Brown

Publication Date: September 1, 1008